Category Archives: kpop
Memes are out and about blazing across the internet. I found an image of the K-pop fangirl when searching for pictures for a presentation last year, but I didn’t know there was a whole site category dedicated to her.
Fun to browse through, though a bunch appear to be written in Russian.
Anyway, I’m currently working on another playlist article for Seoulist. This one’s a bit long, so it’ll likely appear in two parts. Keep an eye out!
They’re bringing the singing competition show, The Voice, to Korea!
Kangta is appearing on Mnet’s “The Voice of Korea” as one of the coaches, along with singers Shin Seung Hoon, Baek Ji Young, and Leessang’s Gil. […]
“The Voice of Korea” is the officially licensed Korean version of music survival program “The Voice.” “The Voice” is originally from Holland and aired as “The Voice of Holland” on September 17, 2010. Mnet’s “The Voice of Korea” will air its pilot episode on on February 10 at 11PM KST.
via Soompi’s Kangta Wishes to Make 2nd Generation H.O.T..
I was first introduced to The Voice last summer, when I was still in Korea, watching it through Hulu as it aired in the U.S. under NBC. I was hooked by the blind auditions phase and have proudly reeled in other friends to watch it as well. While in Korea, I told my apartmentmates about it, and just this past winter break I got a friend who was visiting me sucked in! Can’t wait until it restarts on Feb. 5th.
Now that I know there’s a Korean version coming out as well, I’ll be keeping my eye out for it. Korea has some really great singers, but it’s interesting that none of the chosen coaches are “really big” vocalists in terms of belting out or vocal aerobics.
Kangta’s a pop crooner, Shin Seung Hoon and Baek Ji Young are balladeers, and Gil is a rapper…
Well, it should be fun still! It’s always interesting to see the coaches’ style and abilities in drawing out the best in their teams. (Did you know Kangta has been a judge/mentor on a similar show before? There are some old clips where Junsu, formerly of TVXQ, and Eunhyuk of Super Junior auditioned and then placed on teams).
Kind of obnoxious that in the U.S., we get to call the show simply “The Voice,” whereas other places have to tack on their country name. I guess we did have the biggest judge lineup though. Personally, I enjoyed Ceelo and Blake.
Did any of you have a favorite coach?
It’s been announced that SNSD will appear on two popular American TV talk shows next week. According to SM Entertainment, the girls will be on “The Late Show with David Letterman” on CBS next Tuesday, January 31. The following day, SNSD will perform “The Boys” during their guest appearance on “Live! With Kelly!” on ABC.
A representative of SM Entertainment stated, “SNSD is the first Korean singers to guest star on a talk show on any major American broadcasting channels. We received several love calls from popular TV shows following the release of ‘The Boys’ special album on January 17.” Even without active promotions in the States, SNSD is gaining enormous popularity in America.
Credit: Soompi’s SNSD to Appear on Two American TV Talk Shows Next Week.
I wrote a piece for Seoulist that recently got released on their website after Seoul had its first “real” snowfall. It’s a mix of ten songs in a number of genres, ranging from fun to thoughtful. The youtube link hosts the playlist that allows you to listen to all the songs in succession. Read on for the article:
The first snow, like many events and holidays in South Korea, possesses a romantic leaning. Aside from themes of innocence and purity, the first snow of the season especially signifies first love, pulling many into the realm of nostalgia, but can also simply denote the meeting of lovers.
Depending on which side of the K-drama coin you fall on, that kind of romantic takeover can either have you compulsively grabbing the next Korean hottie you meet to make a K-drama of your own, or hidey-holing in your one room, Armageddon-style, until the utter chaos of Valentine’s Part IV (a.k.a. Christmas) is officially over.
Whether you’re a starry-eyed newcomer to Seoul or a longtime scoffer whose eyes only see plastics and crazies, my hope is that you’ll get to indulge, even embrace, both sides of that diametric psyche, while learning a little more about K-pop in the process. Now turn down the lights, cozy up with your honey (or cry into your soju), and give this mix a whirl.
1. Hope by Yiruma (이루마)
To start us off is this instrumental piece by Yiruma, a Korean pianist and composer. Yiruma is well known for songs that have become themes to some of the biggest Korean dramas, and Kiss the Rainfrom his 2003 album is still one of the prettiest, most wistful melodies I’ve ever heard. “Hope” is from his 2008 album, P.N.O.N.I, and is a fitting sonic backdrop to the first snowfall, which seems to always pull you back to that first time you saw the world turn white.
2. Can I Love You (사랑해도 될까요) by Yurisangja (유리상자)
Beginning the vocal tracks is this guitar-tinged ballad from Yurisangja. A male duo formed in 1997, Yurisangja is known for their sweet songs and gentle vocals. This track was released in 2001 and is one of those classic confession songs about a man tentatively revealing his love.
3. Fate (인연) by Lee Seon Hee (이선희)
We go from old school to ancient in this song by Lee Seon Hee, former trot singer and mentor of popular singer Lee Seung Gi (이승기). And just to clarify, by ancient, I’m referring to the context of the song, not the singer. The theme song of 2005 runaway hit and historical film, The King and the Clown, “Fate” employs traditional Korean instruments and Lee Seon Hee’s clear vocals. Personally, I love how the track gracefully walks the line between joy and despair. Watch the subbed video with scenes from movie (very beginning is cut off).
4. First Snow, First Kiss (첫 눈 그리고 첫 키스) by Yoseob from B2ST (요섭, 비스트) & Drama of Dalmation (드라마, 달마시안)
Taking a step back (or should I saw forward?) from sounds of the past, we jump into a song that is thoroughly modern pop. In the spirit of innocent first love, “First Snow, First Kiss” fits all the criteria. It’s fluffy and light, and if you’ve been wondering what first snow is about, this song is here to tell you. Both of these boys are from groups who have released some fun songs, and together they make a pretty catchy mid-tempo track.
5. That Place from the Start (처음 그 자리에) by Lee Boram (이보람)
This song is also sweet and light, but takes a turn coming from the female perspective with Lee Boram, vocalist of female group Seeya. The charming opening chords and lilting beat might sound familiar to fans of the 2004 K-drama, Full House, which helped shoot Bi and Song Hye Kyo to the forefront of the Hallyu Wave.
6. Confession (고백) by Hot Potato (뜨거운 감자)
Back to confessions! But here’s the updated contemporary male, as voiced by indie band Hot Potato (Ithink the name sounds better in Korean… maybe). This song saw a lot of exposure last year after it was released in mid-2010. I’m guessing listeners were charmed by the conversational lyrics and the fun, offbeat arrangement.
7. Let It Snow by S.E.S
It wouldn’t be fair to make a K-pop playlist without giving a nod to the original pop players. S.E.S, a female trio under SM Entertainment, debuted in 1997 and was the first modern idol girl group in South Korea. Their success helped pave the way for other girl groups like Fin.K.L (which Lee Hyori was in), and every now and then Girls Generation/SNSD (소녀시대) will perform one of their songs in homage to their company seonbae’s (선배, or senior). SM has been releasing seasonal group compilations for a while, and “Let It Snow” is from the 2000 SM Town winter album. That’s just over ten years ago, but I can almost guarantee you that today’s idols were listening to this as they thought of falling in love around Christmastime. At least the older ones. Ten years is a long time in K-pop. (Wants the lyrics? Click here.)
8. Loved Even the Pain (그 아픔까지 사랑한거야) by Jo Sung Mo (조성모)
This song has seen so many remakes that I think it was originally performed by Jo Seong Hyun (조성현) in 1989. Since then, a number of male vocalists, from crooner Sung Si Kyung (성시경) to most recentlySuper Star K Season 3 contestant Min Hoon Gi (민훈기) have done their own covers. There’s something old-fashioned about the melody and the lyrics read like a love poem, so I don’t know if this song will ever be able to get away from sounding sentimental. But it’s a good kind of sentimental, if you’re in the mood for it, expressing that idealized unrequited love that Koreans do so well, and the titular line just makes it. I’ve chosen balladeer Jo Sung Mo’s 2000 version for his expressive vocals. (Translated lyrics here.)
9. Snow Flower (눈의꽃) by Park Hyo Shin (박효신)
Another song tied to a successful Korean drama, “Snow Flower” was the theme song of 2004’s I’m Sorry, I Love You (미안하다, 사랑한다). Okay, so that drama was incredibly sad, but the song is great, if bittersweet. Actually a remake of Japanese singer Mika Nakashima’s Yuki no Hana (雪の華, also meaning Snow Flower), it showcases Park Hyo Shin’s haunting vocals. Park is reputed as one of best singers in Korea, and I’d likely jump on that boat. Honestly, that man needs to get on Survival, I Am a Singer as soon as he’s released from the army.
10. Eve by Yiruma
Ending this list on a reflective note is this twinkly piece, also from Yiruma’s 2008 album. It can be heard as either dark or light, lonely or romantic, depending on your mood. But despite its slower tempo, it doesn’t sound like things coming to an end, only winding down. It carries a hint of something to come, which is a great way to approach the first snow, whether you’ve got someone to hold hands with or you’re still waiting for your magic moment.
Currently ongoing until February 28, 2012 is a cultural exhibit depicting Korea in the 1970s, featuring reconstructed lifestyle spaces and music from the times. For those who wish to take a look, here’s some information from Seoulist:
Experience Korean pop culture history at This is Korea 1970kHz | Through Feburary 28
History comes to life in this experiential exhibition of vintage Korea. Engage your eyes and ears (hence the reference to kilohertz) at Sejong Art Center, where one exhibition hall has been meticulously retrograded into Korea of the ‘70s. Meander through the alleys decked with hand-painted signs and faded awnings. The electronics in the “Time Machine” zone and typical home interiors of yesteryear will make you feel nostalgic for bygone days, even if you weren’t around for it. Visit Interpark not just for tickets, but an overview of the entire experience, including the exhibition layout and DJ performance schedule (see “Special Program” below). Sejong Performing Arts Center, Exhibition Hall 1. 10 a.m.—7 p.m. Admission 12,000 won for adults, 8,000 for children or 8,000 per person for a family of three or more. Tickets at Interpark (Korean only).
Special Program: Every evening at 7 p.m., general admission closes and legendary DJs and radio hosts take the mic and take requests while visitors walk down memory lane and enjoy dabang style coffee in true ‘70s fashion. This weekend’s special appearance is by “Korea’s First DJ,” Choi Dong-wook (최동욱). 20,000 won package includes exhibition admission, special program and coffee.
I love the idea of this exhibit. Maybe I’m just a sucker for the nostalgic, but I love the idea of getting to know a time, not just a place, far from our own. Time changes as much as space, and sometimes the difference is even more impacting when it’s a time plausible in our mind. Not too far off, the 70s mark a time before I was born and the prime youth of my parents. This decade was a big developmental period for South Korea, with President Park Jeong Hee (박정희) and industrialization, the nation still working to recover from war devastation. I would have loved to check the Korea 1970kHz exhibit out and gain a greater understanding of the older generations’ experience.
I’m a sucker for soul-influenced music and power ballads. And I love it when pop goes big and dramatic and tragic. K-pop music has the ability to do some of that really well, and so it’s no surprise that I’m feeling Baby Soul’s debut song, 남보다못한사이/Stranger.
It’s a high-tension R&B style track that shows off the emotion in Baby Soul’s vocals really well. I haven’t heard much by her before, and I actually wish they had left the song without the Wheesung features. He’s a great singer, but he seems out of place here. I find that his vocals interrupt the song and weigh it down.
I would love more soul singers like this to come out. K-pop has some great female soul singers, and I wish they would all get together and do a collaboration. I could see it really putting them in the forefront. Gumi, Navi, Lim Jeong Hee, Baby Soul…
Anyway, here’s a translation of the lyrics. And try and watch the MV to the end, I thought the ending shot was pretty well done.
So Jay Chou decided to get in some super savvy points, releasing his 11th album on the 11th of this month (while neighbors in fellow East Asian countries were likely having a ball with Pocky/Peppero Day’s of epic proportions!). Here’s one of the tracks, Mine Mine:
Regarding music, Jay’s one of my old favorites since I got into him in high school; I always tend to like his songs. He’s a proficient pianist and composer, completing all the writing and arrangement of his music, and when he writes lyrics I often find them interesting and touching even in their relative simplicity (Jay’s longtime co-writer, lyricist Vincent Fang, is widely known for his crafted, poetic lyrics). With that control over his music, all of his songs seem to bear a stamp of his style, and I can usually identify a new song as his just from listening.
Maybe that’s why though I like his work, nothing from him has excited me very much since his fourth album. It’s not that I feel he needs to change or reinvent himself – it’s more that I feel like he’s gotten complacent being Mandopop’s reigning king for so long. In my opinion, that lack of being challenged and pushing himself reflects in the music. So, this new song still doesn’t make me super excited, but it’s okay. It would be pleasant enough if he hadn’t stuck in those mine mine’s and bye bye’s in.
However, after a year in Korea, there are some very refreshing aspects of this music video and song. Read the rest of this entry
Interesting. NY Times writer “reviews” SM Town’s Sunday performance but seems to try to keep opinions as neutral as possible. Doesn’t say much in the way of music or performance other than naming a lot of other entertainers to compare the Korean ones to.
The article really reads more like a restrained intro into K-pop, all of which is understandable I suppose, coming from a Western writer and geared for an audience likely unfamiliar with Korean music. I still would’ve appreciated more of an opinion though. The most interesting comment I read was in the opening paragraph about America being “a country that’s still starving for them [teen pop stars/idols],” but unfortunately Mr. Caramanica doesn’t elaborate further.
Read on for the actual article from nytimes.com:
Korean Pop Machine, Running on Innocence and Hair Gel
This fall is supposed to be the return of many girl groups in K-pop. One of the frontrunners, nine-member SNSD (for 소녀시대 or Girls’ Generation), has recently released their song all over Youtube in both Korean and English versions.
I’m not really feeling either one, to be honest. I feel like I’m stuck in the rose-imprisoning glass cage from Beauty and the Beast while the beats shift between Britney-electronica and Gwen-Stefani-esque songspeak. As usual, the production value is up there for both video and audio, but other than that, it’s just another polished SM number. Not much maturation, freshness, growth or edge in the style or sound.
It’s also kind of a strange match, though the production does its best to make it work, so I’m not sure where the song will find a place. Despite its electric leanings, the slow tempo makes it difficult to take up as a club/dance track, and overall it lacks the catchiness of earlier hits like “Gee.” I can see it as cafe filler (Seoul is saturated with cafes) and used in some cover performances, but not much else. Maybe the major intent is simply to use it as a performance song, declaring SNSD’s presence, as SM continues to gear toward markets outside of Asia.
Any thoughts? Sound off!